Australia’s musical output has been a little wayward over the years – for every Nick Cave, there were ten Angry Andersons; bands who promised much (think along the lines of The Triffids and The Go-Betweens), found it difficult to break out of being critically acclaimed into commercially successful. However, when it comes to dance music, there has been far more influence and interaction with the world at large.
Electro house and progressive house artists have flourished in Australia and are largely seen as trailblazers in the scene. The likes of Cut Copy; The Avalanches; Pendulum and Flume have opened up what dance has traditionally been received as into something approaching a new strand of rock n roll which any kid can listen to and legitimately have a go themselves. Such is the case with Eztain (aka Jake Colson), who has emerged from the outer reaches of Perth to become the next Flume.
Taking house into the future bass arena, his EP shows the wide range of emotion and power that dance has come to embrace, being music to think to as much as music to dance to. The soundscapes are easy to lose yourself in which each track bleeding their essence into each other yet still existing as standing out in their own right. Hugely promising, it’s only a matter of time before the wider world picks up on Eztain, further blurring how dance music is perceived and how it can evolve even further in the future.